Fred Zinnemann (1907–1997) fits comfortably into a group with such directors as Rouben Mamoulian (Applause), Lewis Milestone (All Quiet on the Western Front) Read more
Fred Zinnemann’s High Noon
Kenji Mizoguchi’s The Life of Oharu
Samuel Fuller’s The Steel Helmet
After many years of ambivalence, I have decided to like Sam Fuller (1911–1997). Read more
Charles Chaplin’s Limelight
If Charles Chaplin‘s Modern Times is a poignantly graceful valediction to the silent cinema, Read more
Max Ophuls’s Le Plaisir
Le Plaisir, like Charles Chaplin’s The Circus, has suffered neglect over the years because it happens to be sandwiched in between two of its director’s most famous films. Read more
Jean Renoir’s The River
These notes accompany the screenings of Jean Renoir’s The River on April 11, 12, and 13 in Theater 3.
The River is the eighth Jean Renoir film I have shown in this series—more than any other director. Read more
Joseph Losey’s The Lawless
Cindy Sherman on the Films in Carte Blanche: Cindy Sherman
In conjunction with MoMA’s current Cindy Sherman retrospective (on view through June 11), the artist selected films that have informed her artistic practice for a special Carte Blanche: Cindy Sherman film series (which runs April 2–10 in MoMA’s theaters). Below are Cindy Sherman’s comments on the films, as told to Lucy Gallun. Read more
Make It Giant: MoMA FILM!
Most of my friends are seasoned New Yorkers who know their way around the city—where to find the best restaurants, sample sales, and live music—but whenever I invite them to see a film at MoMA with me, I hear, “Oh, MoMA shows film? I had no idea! What, like black-and-white art flicks?” Read more
New Directors/New Films: All in a Good Year’s Work
New Directors/New Films 2012 opens on March 21 with the New York premiere of Nadine Labaki’s Where Do We Go Now?, and continues through April 1 with screenings of 28 more feature films from around the world. Read more














